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A recent post by Mark Ruffner writing the blog All Things Ruffnerian-prompted me to take up this challenge to cull through countless Portraits of Women & fantasize - If I could own 10 ?, which would I choose? Mark followed suit after Yvette of In So Many Words-did the same. You can see where this is going... While I still stretch my imagination on where to hang them & worry about negotiating with the Met, the Hermitage and likewise-I found narrowing down my choices difficult. No portrait-its value-its obscurity or its notoriety has been excluded. A few were easy-sorting and narrowing it to a mere 10 virtually impossible.
Pure fantasy-but doesn't it exercise the eye? Force us to edit-in a world where pinning, tumbling,blogging,linking-blinking tweeting-etc etc. allow us to gluttonous Excess?. Of course seeing Mark's picks and Yvette's IT is Temptation to say-"oh yes, That one," but that would have been too easy. I must say it shocked me that some of my favorite portrait painters-Boldini, Whistler, Helleu did not make My List-nor did Zubaran-I immediately excluded his paintings of Saints-choosing just ONE would be treasonous-and choosing 10-unfair.
(The 10-in no particular order & linked in the text with insights about the work)
c 1470.
what can I say? it might be my favorite of them all. It fits the Bacon quote at the heading of this experiment like no other.
c.1580
El Greco? Yes, one of his mysterious paintings of women-there are few. Uncharacteristic,yet his brush is evident-and while there are disputes about that-it's all the more reason to want it.
c.1805
Ingres, for me the Master portrait painter-this is one of two Ingres paintings I've included. Can you deny it?
c. 1749
This portrait satisfies all things- sitter, dress, complexity of patterns, book, flowers and mirror. The 18th century was a period where women like Mary Wortley Montague were forging paths of individualism and leaving brilliant trails of their lives in memoirs and letters. Liotard painted many women of the period in Eastern dress. Almost any of Liotard's paintings would suffice-I would be content with 10 of them.
Another painter I would not leave off any list-Reynolds and again it is the 18th century with its certain brand of Beauty and its allure of Exoticism.
c.1845
It's charms are evident.the Comtesse d' Haussonville, grand-daughter of Madame de Stael- one of the most fascinating women in Europe," was also a remarkable person in her own right.
(I've written about her here & Ingres here)
(I've written about her here & Ingres here)
Sargent. This portrait- his most memorable and he considered his best- was also his most controversial. Of course I would pick this one.Virginie Gautreau was not happy with the portrait-it revealed too much-much too much. Eager to paint her Sargent wrote a friend, "I have a great desire to paint her portrait and have reason to think
she would allow it and is waiting for someone to propose this homage to
her beauty. If you are 'bien avec elle' and will see her in Paris, you
might tell her I am a man of prodigious talent." Books have been written about the painting. Sargent is another great favorite and I've devoted many posts to my intrigue with Sargent in a series called seeking Sargent -where images today remind me of his work, here.
I have a lithograph of Sargent by William Rothenstein I love.
Model, muse and partner-Floge and Klimt were priest and priestess in turn of the century Vienna when everything was wonderful and art was everything.
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This painting until recently was owned by Helene Rochas and sold at auction this fall. I wrote about it here.
Picasso's Nusch Éluard
Picasso painted Nusch Elard numerous times-muse to the Surrealists, artist in her own right. The great painter painting a painter with a personal story as intriguing as the great one himself- no wonder he adored her. Picasso is the great painter of all time-here-Barbara of It's About Time shows you why-and would have me tossing out this entire list to have 10 portraits on scraps of paper with "Picasso" signed in the corner.
& No list is worth listing- without adding 1 to-
Lady with an Ermine (Cecilia Gallerani) - Leonardo da Vinci
c.1490
If it couldn't be a Lady with dog-a Renaissance ermine will do.
& as dual portraits go...
who could resist
this portrait of Monsieur & Mademoiselle?
who could resist
this portrait of Monsieur & Mademoiselle?
Liotard's "Monsieur Levett and Mademoiselle Glavani in Turkish costume
or
Sargent's Mr. and Mrs. I. N. Phelps Stokes, 1897
it is another favorite Sargent- with two fascinating subjects
I've written about Edith here
& Yes, I fantasize about 10 Men too-
alas,Correggio's fetching Portrait of a Young Man did not make the cut.
Sargent's Mr. and Mrs. I. N. Phelps Stokes, 1897
it is another favorite Sargent- with two fascinating subjects
& Yes, I fantasize about 10 Men too-
Now-what about you? Do you have a favorite from my 10? your own?
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