When in Chicago Bobsy Goodspeed lounged about in a sleek apartment, on Cape Cod, she preferred the Victorian, or as Harper's Bazaar referred to it -"Neo-Victorianism." Regardless, her decoraing tuned changed abruptly when on the Cape. She decorated her country cottage in Osterville called Weeping Willows just as she pleased-and without help from any decorators.
Take away those bows and Bobsy's look begins to become rather appealing. More Victorianisms- domed covered fruit (a Victorian staple), opaline crystal compotes filled with fresh flowers (the opaline pink or maybe jade in color I think), porcelain shoes (surely your grandmother had a pair of these sit-abouts), and an intricate piece of needlework hanging above it all.
More Victorianisms: cornucopia wallpaper with flowers, Serves or perhaps Meissen porcelain vases and other bibelots, and a crocheted canopy on a tester.
In another bedroom at Weeping Willows Bobsy concocted a gathered canopy from "cheap lace," added a floral wallpaper, and what I'm sure was a hand-crocheted bedspread on the poster bed.
The Harper's Bazaar article appeared in 1940, one year before the States entered World War II, but the magazine's cover in September included the American flag.
This photograph appeared in a feature called The Call to Color with a royal purple Germaine Monteil dinner dress and a magenta satin ottoman-and riotous needlepoint carpet so reminiscent of the colors of Bobsy.
Raoul Dufy paintings, Henderson’s Superb Double Fringe Petunias, 1898. H. Mellen Co. Spring catalogue 1907,